Saint Susanna by Francois du Quesnoy - Bust

A bust of Saint Susanna.

This tranquil bust draws inspiration from the renowned marble statue of Saint Susanna, sculpted by François du Quesnoy. Commissioned for the church of Santa Maria di Loreto in Rome, this masterpiece was completed in 1629 and has been celebrated for du Quesnoy’s extraordinary skill in rendering the delicate textures of cloth in stone. The statue depicts Saint Susanna, a figure who, according to early versions of the Bible, was martyred for her unwavering faith. In du Quesnoy’s hands, Susanna is not merely a religious icon but also a sublime synthesis of classical and Christian artistry.

Du Quesnoy’s work on Saint Susanna is particularly notable for its fusion of aesthetic traditions. He manages to evoke the elegance and physical idealism of ancient Greek nude sculpture, known for its celebration of the human form and intricate detail. Simultaneously, he adheres to Christian ideals of modesty, a delicate balance that requires immense artistic finesse. This duality in representation speaks to du Quesnoy's genius, as he imbues the marble with both the spiritual purity and physical beauty that Saint Susanna symbolizes.

The serene expression of Susanna in the bust reflects her inner peace and steadfastness, even in the face of martyrdom. Her gently draped garments, expertly carved to appear as soft and flowing fabric, enhance the statue's lifelike quality. Each fold and crease in the stone captures a moment of ethereal calm, inviting viewers to contemplate the serene strength and divine grace embodied by Saint Susanna.

This sculpture not only exemplifies du Quesnoy's technical prowess but also his deep understanding of the spiritual narratives conveyed through his work. The bust of Saint Susanna remains a testament to the harmonious blend of classical art forms and Christian thematic elements, showcasing an era where religious devotion and artistic innovation were profoundly intertwined.

A beautiful home ornament inspired by Greek and Christian art.